Narcisa Hirsch Movies

Orpheus' song tames scales and dolphins, dictates laws to the wind and sets the rhythm of the oars that move the sea. Those who listen to it remain...

The grande dame of experimental film, still active, still perceptive, still avant-garde, has taken a scene from her collection and sends it into a...

The life story of an artist. The fantasy of a poetic burial accompanied by friends of cinema.

The role of men returning from the war; it is the end of the battles and ideologies.

Portrait of Narchisa Hirsch's family.

The Super 8mm film “Muñecos” (1972) — shot by the artist, Leopoldo Maler and Carolee Schneemann — combines recordings...

Over the course of one year, Narcisa Hirsch left a super 8 camera on a tripod in a paddock near her house in the Patagonia. When she was away, she...

A video letter that Hirsch made for Hans Hurch after attending the 2012 Viennale

DIARIOS PATAGÓNICOS 2 explores Narcisa Hirschs everyday life, travels and friends that reveal their working methods.

The dialogue of a woman with herself split into two unknown opposites.

A Super 8 film by Narcisa Hirsch

In Aída (1976), a Super 8 camera captures ballerina Aída Laib dancing vigorously in Hirsch’s atelier to the sounds of Nina...

Hirsch’s first steps in filmmaking were documentations of her performances and happenings in public spaces. These were collective actions,...

An unpublished piece by this pioneer of experimental cinema with the participation of Elías Cherñajovsky and Sergio Levin.