Movies

  • 1971
    Shutter

    Shutter

    Shutter

    01971HD

    'What I am concerned with in this film is not only the flicker effect, but also the coming and going of an eye-like shape on screen which was created...

    Shutter
  • 1972
    Models: A-1: 2 Min. 46 Sec. 16 Frames

    Models: A-1: 2 Min. 46 Sec. 16 Frames

    Models: A-1: 2 Min. 46 Sec. 16 Frames

    01972HD

    By using simple systems of counting and measuring in film, Iimura has drawn attention to the complexities of our time perception – memory,...

    Models: A-1: 2 Min. 46 Sec. 16 Frames
  • 1981
    I Am A Viewer You Are A Viewer

    I Am A Viewer You Are A Viewer

    I Am A Viewer You Are A Viewer

    01981HD

    In "I Am A Viewer, You Are A Viewer" the performer plays the double role of the performer and the audience simultaneously, talking to his own shadow....

    I Am A Viewer You Are A Viewer
  • 1987
    Double Portrait

    Double Portrait

    Double Portrait

    01987HD

    "Double Portrait" and "I Love You" are a paired piece with Akiko Iimura. Both Iimuras play individually as well as a unit. In "Double Portrait" they...

    Double Portrait
  • 1989
    MA: Space/Time in the Garden of Ryoan-ji

    MA: Space/Time in the Garden of Ryoan-ji

    MA: Space/Time in the Garden of Ryoan-ji

    01989HD

    The early sixteenth-century Japanese garden in the Zen temple of Ryoan-ji, in Kyoto, is considered a masterpiece of the karesansui or "dry landscape"...

    MA: Space/Time in the Garden of Ryoan-ji
  • 1972
    Models: B-2: A Line 1, 2, 3

    Models: B-2: A Line 1, 2, 3

    Models: B-2: A Line 1, 2, 3

    01972HD

    Takahiko Iimura's Models Series

    Models: B-2: A Line 1, 2, 3
  • 1967
    Shelter 9999

    Shelter 9999

    Shelter 9999

    01967HD

    In the context of the Cold War, use of the word “shelter” was common. However, it surprised Iimura when he started to live in New York in...

    Shelter 9999
  • 1969
    Face

    Face

    Face

    01969HD

    The three faces (two women and one tranvestized man) in the series of close up, which are shot separately in their sexual process of the acting and...

    Face
  • 1969
    Filmmakers

    Filmmakers

    Filmmakers

    01969HD

    Iimura creates a short self-portrait as well as brief portraits of five of his peers: Brakhage, Vanderbeek, Smith, Mekas and Warhol. In each...

    Filmmakers
  • 1972
    Models: A-3: Time Length 1,2,3,4

    Models: A-3: Time Length 1,2,3,4

    Models: A-3: Time Length 1,2,3,4

    01972HD

    "These two reels (A-1~4, B-1~4) of MODELS I think are unusually important works. You are certainly one of the filmmakers to so explicitly direct your...

    Models: A-3: Time Length 1,2,3,4
  • 1972
    Models: A-2: Timing 1, 2, 3, 4

    Models: A-2: Timing 1, 2, 3, 4

    Models: A-2: Timing 1, 2, 3, 4

    01972HD

    Takahiko Iimura's Models Series

    Models: A-2: Timing 1, 2, 3, 4
  • 1985
    Home Movies 1971-81

    Home Movies 1971-81

    Home Movies 1971-81

    01985HD

    Home movies shot on Super 8mm by W+B Hein over 10 years.

    Home Movies 1971-81
  • 1972
    Models: B-4: Seeing, Not Seeing

    Models: B-4: Seeing, Not Seeing

    Models: B-4: Seeing, Not Seeing

    01972HD

    Short work.

    Models: B-4: Seeing, Not Seeing
  • 1975
    24 Frames per Second

    24 Frames per Second

    24 Frames per Second

    01975HD

    This film, and in particular the function of sound within it will vary freely from moment to moment, viewer to viewer.

    24 Frames per Second
  • 1962
    Love

    Love

    Love

    81962HD

    "10 minutes of the act of creation itself run through close up and magnifying lenses. " -T.I.

    Love
  • 1976
    Camera, Monitor, Frame

    Camera, Monitor, Frame

    Camera, Monitor, Frame

    01976HD

    Camera, Monitor, Frame is the first installment of Takahiko Iimura's "Video Semiotics Triptych" (the other two works are Observer/Observed, made in...

    Camera, Monitor, Frame
  • 1970
    Kiri (The Fog)

    Kiri (The Fog)

    Kiri (The Fog)

    01970HD

    "Shot on 8mm on a mountain in Japan, the abrasive winds that drift the fog in Iimura's Kiri are so fierce we almost believe it to have grazed the...

    Kiri (The Fog)
  • 1973
    1 To 60 Seconds

    1 To 60 Seconds

    1 To 60 Seconds

    01973HD

    "In 1 to 60 Seconds Iimura does an extraordinary thing: he abstracts time from any concrete associations, seems to put it on the screen and there you...

    1 To 60 Seconds
  • 1984
    Shadowman (The Structure of Seeing and Hearing)

    Shadowman (The Structure of Seeing and Hearing)

    Shadowman (The Structure of Seeing and Hearing)

    01984HD

    A mind-twisting video, meditating on the experience of watching film/video, and of seeing and being seen. Prodded by a succession of riddles, the...

    Shadowman (The Structure of Seeing and Hearing)
  • 2002
    Un Ange Passe

    Un Ange Passe

    Un Ange Passe

    02002HD

    Experimental short by Keiji Aiuchi.

    Un Ange Passe